Saturday, 31 December 2011

Skate Fuckups.

As a responsible role-model, Corey Duffell teaches kids how to fall correctly.

Here's an article I wrote recently for Leisure Magazine about how professional skateboarders are the worst (and therefore best) role models a kid could wish for. It ran as part of their 'Heroes' Season:

Read the article here.
Or if the above link doesn't work, try here.

Friday, 9 December 2011

A Mug's Game.

Many moons ago I worked for a newspaper chain. Myself and two colleagues with a similarly absurd sense of humour instated a G5 Power Mac (at the time a state of the art machine) for the sole purpose of keeping a record of all the drinking vessels in the department. The types of mugs you find in workplaces made us laugh. In the interests of irrelevancy, said document will now be archived in this repository.

———

Observer Graphics Production Department Mug Inventory:

• 3 tier navy blue mug • Abstract pattern x4 • "Albion - Loyal Supporter" • "Andrew" • Arçopal France (white with floral) • Aspro Holidays • Birmingham City "Blue Army" • Churchill (green speckle with white base) • Cleggy's Baggies (West Bromwich Albion) mug • Cow & butterfly design • "Crunchy Juicy Apples" • David Beckham • Debon Air • "England" • Excelsior (white with gold trim) • Floral design • Friends • Garfield (Libra) • "Groovy John" • "Have An Ice Christmas" • "Hot Stuff" • "I Could Learn to Hate Jane Fonda" • "I Feel a Right Tit" • Just Mugs (turquoise with flower) • Leicester City Official Supporters' Mug • Lexus - Pauline • "Liverpool - Champions of Europe" • Behemoth Metallica Rebel Skull ceramic Mug • Octagonal mug with ship scene • Pale green Accounts mugs x6 • Pink & yellow with red swirls • Pink conical mug with elevated base • Plain blue x2 • Plain green • Plain smoked glass mug • Plain yellow • Ransat - bone china floral x2 • Royal Norfolk (white with floral) • "Screw U" • Sheep & insects design • "Shibden Hall, Halifax" • "Shopaholic" • "Snail, My House, Dog" • Snap-On • Star Wars - Luke Skywalker • Steelite International (white) • Summer Fruits • Takeaway Cantonese • That bloke with his ballbag out • The Beatles • The Blues (Birmingham City) • Tigger • Kanti's "Tone Please!" mug • Wallace & Gromit - "Yummy!" • "Whirlpool - The Big Turn On" • White with raised food pattern • "Wolves & You" (Wolverhampton Wanderers) • "www.cashforcans.co.uk"

Wednesday, 30 November 2011

Brooklyn/ BK/ Crooklyn/ Brook-Nam.

VIDEO: Manolo's Tapes: New York City via Already Been Done.

Following on from the last post, here's more New York footage from the time when the East Coast ran skateboarding. It's all here: perpetrators catching beat downs, slams into oncoming traffic, Sal flips in in Timberlands, late legends Harold Hunter & Keenan Milton, Lennie Kirk's awesome boardslide @01:48... all pulled from VHS and set to the most triumphantly relevant soundtrack imaginable. Enjoy.

Wednesday, 23 November 2011

A Grudge Supreme.

'A Love Supreme' by Thomas Campbell, NYC, 1995 — Supreme Industry promo edit from 411VM #18 (1996). 

This charming three minute Supreme promo was the most captivating thing ever when it dropped in 1996, and in many ways it retains that allure now. It oozes Kids-era New York trillness, from a time when Zoo York, Alleged Gallery, Brooklyn Banks, Eastern Exposure 3, Grand Royal and X-Large ruled street culture.

I wasn't the only English kid to be seduced by this notion of New York. It was an environment we could all relate to – kinda like Birmingham, Manchester or London – only the streets were more raw, the buildings more grand, and the evenings enchanted by the mist of fire hydrant spray, the rumble of subway trains and the excitement of make-out sessions with cool girls that hung out at spots. (Cool girls that, for some reason, rarely chose to hang around multi-storey carparks, loading bays and ledges in the English Midlands).

My friends and I skated through suburban traffic in packs, És Sal 23s, shirts off and backpacks on both shoulders, not so much in imitation of the NY scene as young kids deluded we were part of it. People just didn't get where we were coming from. A couple of years earlier I remember going to the UK's oldest working arthouse cinema to suggest they screen a forthcoming film about New York skater kids by an unknown Tulsa photographer and a nascent cinematic auteur. I was laughed out of the building by people who should have known better. Eventually I persuaded a cinema in Chinatown to screen Kids but only myself and two friends showed up. Yeah, I was there etc. Sort of.

The downside to all this romance was that after waiting four years to finally make a pilgrimage to Supreme, I felt let down. I should have known that unless you're an active player in the local scenes they foster, skateshops are often pretty boring, seemingly elitist places. I was bummed on Supreme for making everything seem so awesome and then just being a shop instead of... I dunno... a magic portal directly into this video or something.

As unfair and irrational as it is, I still hold a grudge against Supreme. Not just because it fell short of my childish expectations, but because in my crestfallen state I went on to buy absolutely nothing. That's a whole lot of nothing I could now sell to people with a love Supreme at vastly inflated prices, or trade for the handful of Supreme items I genuinely would love to own. Don't worry, I do know I'm a dick.

Monday, 17 October 2011

Horsefoolery.

If I was rich I would invest in an exceptionally tall horse that I'd mount for the express purpose of shouting forth any self-righteous moral standpoints I might have. Note on my less opinionated days I would ensure the animal was well looked after, probably by 'horsey types'.

For the most dogmatic of occasions, I'd also purchase a hillside plot where I'd go to get on my high horse. The land would be known locally as 'the moral highground' and I would remain there until my point was made.

Saturday, 8 October 2011

Skate Tough or Go Home.

California Spot Graffiti (Photo by C.R. Stecyk III).





















Is it a terrible double standard that I find aggressive localism perfectly acceptable — even kinda cool — at skateparks, BMX trails, waves and gang spots, but utterly abhorrent anywhere else in life?

Monday, 31 January 2011

A Whole Lot Less: The Sporadic Relationship Between Dr. Martens and Skateboarding.


Aesthetic perfection: Matt Hensley in Hokus Pokus (1989).

Some footwear is unquestionably affiliated with skateboarding. No conversation about skate shoes would be complete, for instance, without the mention of Vans. But for some otherwise iconic shoe manufacturers, like Dr. Martens, the link is so tenuous as to be almost non-existent.

Who would ever think of skating in Docs (or any 'sensible' shoe for that matter)? With their thick soles and heels they'd be downright impractical, surely? Well, yes, but that doesn't mean it hasn't been tried on occasion. And believe me these instances are so rare and beautiful they're the stylistic equivalent of Haley's Comet shooting past a solar eclipse during summer solstice at Stonehenge.

The Trailblazer: Bill Danforth. (Photo via Motor Punk).

While some skaters (most notably the Santa Cruz team) had already been pictured wearing Docs off the board, the first person I heard of actually skating in Dr. Martens was Alva gnarler Bill Danforth. I think this was less a deliberate decision and more a case that he was active in both the skate and skinhead scenes and his dress occasionally crossed over. Nevertheless I was super young and it struck me as utterly badass. So badass, in fact, that I covered one of my school textbooks in a poster of the 16-holed hero, and was promptly made to remove it because "he looks like a thug."

The Trendsetter: Matt Hensley, merch table hippie jump, Vans Warped Tour, 2000. (Photo by Larry Ransom).

The whole skating in Docs thing did not make total sense until I saw Matt Hensley's seminal video part in H-Street's Hokus Pokus. As the opening chords to Sub Society's 'A Whole Lot Less' droned out, Matt gave the concept of 'sensible footwear' the boot with a super styled, slow-motion bench lipslide in low top Dr. Martens 1461s (see screen shot at top of post).

Suddenly everything fell into place. Right before my eyes that whole Calvin Klein advert/ 90210 preppie look that was emerging at the time (but always seemed a bit too jock-ish for skaters) was legitimised. Never had stonewashed 501s, Bouncing Soles and griptape looked so good together. It was a victory for fashion over function.

Captivated by the aesthetic perfection, I rewound that intro many times over the years until the tape was chewed and the image imprinted on my brain in all its lo-fi, fisheyed, VHS glory. It was just one shot (Hensley was better known for the Chukka boots, stripey tube socks and shorts thing) but it's part of the reason my brother and I have frequently worn cuffed jeans, chainwallets, white socks and 1461s ever since.

Matt Hensley went on to become a skating and folk-punk legend, more on account of his talent than his footwear, but the Hokus Pokus style was a timeless look he still nods to today. When I had to fly home from a tour with Matt's band, Flogging Molly, having accidentally left my skateboard behind, it was shipped back to me bearing the words "Cheers Cree$e, thinking about you a whole lot less, Matt H," in reference to the lyrics from his classic video part.


VIDEO: Jason Lee (yes the actor) in A Visual Sound (1994).

Despite the overwhelming visual cue provided by Hensley in Hokus Pocus, the Dr. Martens and skateboarding association failed to develop beyond that solitary lipslide. On the basis of impracticality, the skateboarding community probably wrote it off as a joke (which, perhaps, it initially was).

Nevertheless, Hensley's spark must have ignited a flame somewhere, a flame that was patiently kindled by the likes of Jason Lee and Ethan Fowler, reaching a modest blaze upon the release of Stereo's A Visual Sound in 1994. This was a film that redefined the boundaries for lo-fi creative expression in skate videos.


VIDEO: Ethan Fowler in A Visual Sound (1994).

Nestled among its many artistic innovations were two sartorial skits clearly born of the Hensley skate-prep aesthetic, yet fleshed out to include a broader range of 'sensible' (dumb) shoes for skating in, Dickies slacks, cardigans, plain white Ts, sideburns, vintage bicycles, period architecture, SF streets and a swingin' beatnik informality to the skating. 

There was, of course, an element of ironic playfulness, but the skits were substantial, bold and confident enough to be taken seriously. There was some profound Art Direction going on: Chris Pastras, I'd imagine. While the embellished aesthetic didn't change skateboarding overnight, mid 90s skate fashion embraced a watered down, functionalist approximation: plain white Ts, cuffed blue denim, white socks and Simple shoes for the fresh; button-down shirts, jacked-up slacks, white socks and plain black low-tops for the hesh. Sadly, however, no Docs.


VIDEO: Man About Town Starring Kilian Martin, A/W 2010.

'Sensible' shoes, it would seem, have not touched griptape in recent years in any noteworthy fashion aside from the periodic creeper runs of veteran punkers in Thrasher ads. That is until this winter when Man About Town magazine dropped this stunning promo to support their 'Winter Sun' issue.

The resurrection of freestyle skateboarding with a 50s twist (courtesy of Kilian Martin) is a stroke of genius from Art Director Atelier Franck Durand. The nostalgic 2010 take on clean-cut preppie staples is the vision of Stylist Diane Boulenger, who adroitly selected Church Shannons (almost imperceptibly similar to DM 1461s) and 90s Vision Street Wear hi-tops. 

I'd put money on this promo being massively inspired by the historic cues noted in this post. Not that I'm implying they're biting the style, rather that they've done their homework and tastefully refined the fleeting, lo-fi skate-prep aesthetic via the high production values of the fashion world. Indeed, if you listen carefully beneath Ricky Nelson's dulcet crooning you can almost hear the distorted opening guitar stabs of 'A Whole Lot Less' drawing you back to where it all began.

SOUNDTRACK: Sub Society – 'A Whole Lot Less.'

UPDATE:  Also see this post for more on Matt Hensley and the H-Street era.

Matt Hensley, handstand. Image via Gary Warnett. I became aware of Gary's blog after he gave this post a glowing review and a number of referrals. He's a more committed blogger than I am, and he writes insightful and funny posts about all manner of good stuff from an 'industry' perspective. You should definitely check him out.

Tuesday, 25 January 2011

Dumb & Dumber.

I can always rely on my brother to be more retarded with technology than me.

Tuesday, 5 October 2010

Let’s Call a Spade a “Spa-de-de.”

Cosmopolitan Magazine Cover, September 2010 issue.
What kind of world do we live in when even Cosmo tiptoes around an everyday medical term and replaces it with a euphemism sounding like something from Teletubbies?! Did somebody forget Feminism actually happened?

Friday, 10 September 2010

Nobody Beats The Biz.


VIDEO: 'B-B-B-B-B-Bennie and the Jets.' Biz Markie, The Chris Rock Show, 2000.

I’d love to see how hard all those dour, pedantically competitive, pencil-up-their-arse, professional karaoke pillocks would shit themselves with indignation if Biz Markie just rolled up drunk and bowled onto to the stage with this badboy!

Monday, 7 June 2010

You're Not Punk, And I'm Telling Everyone...

Keeping up the fine accidental tradition of watching Against Me! for free — gratis ticket courtesy of Georgia.

"Looking for context and perspective,
looking for some kind of distraction.
White crosses on the church lawn,
I want to smash them all."
Against Me!, 'White Crosses.'

Went to see Against Me! again recently and, despite what the insular scene purists posit, they've still got it.

I've watched this band live easily thirty times: from in the pit, from the side of the stage and from across the venue while working and I firmly believe the passionate-but-realistic, confrontational-yet-danceable, operating-outside-of-the-anarchist-bubble, Sire Records, Butch Vig, fuller-sounding, anthemic rock incarnation of recent years is exactly where Against Me! should be.

I don't understand how the 'sell out' accusations carry weight when the lyrics are still as brave and impassioned as ever, yet more mature and literate to boot. Granted, I used to preach from that same hymnbook, but the whole business of whether or not a band has 'sold out' seems so tired now the music industry has changed and I'm not 17.

Wednesday, 30 September 2009

Davey Warsop Unveils First Solo Track For Hurley.


VIDEO: Davey Warsop – 'Photograph' via Hurley.com


After flying back out to California on a wing and a prayer in June, my brother Davey has been busting a gut at Hurley Clothing working as a model, presenter and studio engineer. His perseverance seems to be paying off and he has just unveiled the first video from a solo project he's been working on in his spare time.

The featured song, 'Photograph,' has a late 70s power-pop vibe similar to Beat Union, although I know he plans to delve deeper into a 60s Atlantic Soul & Motown sound in future.

A nice little interview about Dave's background and his attempts to carve out a permanent life in USA can be found here.

Tuesday, 1 September 2009

If Altamont Wasn't Crazy Enough For You...


VIDEO: ‘I Pity the Poor Immigrant.’ Bob Dylan & Joan Baez, Colorado, USA, 1976.
Via Vejatv.com (ignore advert at start).


The Guinness Book of Records entry for Most Bonkers Live Music Performance Ever is held by folk-rock royals Bob Dylan and Joan Baez for this demented spectacle from their Rolling Thunder Revue tour of 1975-76.

Here we see Dylan, Baez and their ragtag cohorts basically raid the dressing-up cupboard and stage a freewheelin’ bohemian shindig at what appears to be a small church fête.

The reveal comes during the solo while Baez is lost in an acid-dipped maracas dance. The camera pans round and — Oh snap! — they’ve only got THE ENTIRE FUCKING GLOBAL COUNTERCULTURE OF THE 60s AND 70s at the carnival too!

A spokesperson for Guinness advised the record has inevitably been contested by a number of subsequent performance-heavy glam rock acts, but has to-date remained unsmashed for the following reasons:
  • Captivating vocal harmonies and sexual chemistry between singers. 
  • A dangerous bricolage of ethnic, gypsy and piratical artefacts arranged to achieve effortless cool in a manner normally only possible at gas stations on road trips.
  • Dylan’s deft recovery following his poorly-judged “Ha ha!” ad-lib @03:05; a cringeworthy show-spoiler known in the trade as a ‘Does Anybody Remember Laughter? Moment.’
  • The overall who would you fuck first? conundrum, not to mention the what would the children be like? factor.

Sunday, 23 August 2009

Jumping on the Wild Swimming Bandwagon.

Our Wild Swim Road Trip Mecca: An idyllic plunge pool beneath a secluded waterfall.

'Wild swimming' is nothing new, but I only heard about it last week when my adventuring cohorts Dukes and Stef called me up to suggest the latest in our long history of road trips and camping adventures. Before that, I'd always thought it was called 'skinny dipping' and was something a pair of frustratingly pretty girls, with whom I smoked weed as a teenager, did in the canals and quarries throughout summer with mysterious older guys who could drive, wore rings on every finger and had better drugs. Me and my infantile pothead mates were naturally never invited.

Wild swimming, of course, refers to the traditional act of bathing in naturally occurring wild water rather than man-made public pools. The term spans everything from old fashioned Huck Finn waterhole capers through to McGinley-esque sylvan frolicking. It differs from skinny dipping insofar as it is clothing-optional and the emphasis is nonsexual. Wild swimming is bathing as nature intended: good clean fun in the great outdoors.

Wild swimming whispers a polite 'fuck you' to swimming pool bureaucracy. And swimming pools for that matter.

I must confess I'm no water baby. At school, swimming lessons seemed like an absurd sadistic pantomime. I would watch bemused through the sting of chlorine and hair gel as impressionable classmates jockeyed for pointless badges to sew on trunks they would soon outgrow. Proper smartarses, meanwhile, trawled for a coveted plastic brick while wearing their pyjamas. All the while some cretin with a whistle and tracksuit-stiffy would lord it round the echoing poolside phweeping the fuck out of my spazzy swimming technique.

I hated swimming until my adolescence when I began going to the baths with the naughtiest guys and girls from my estate. Almost by instinct, they broke every rule on a snotty 70s poolside sign designed to wring every last drop of pleasure from a pastime humans have been doing unrestricted since the dawn of mankind. Particular emphasis was placed on defiance of smoking and petting protocol, and, for a brief period, rebel swimming became the highlight of my social calendar.

In my element: On a road trip in the back of a van. A multitude of sensory deprivation techniques were required to contain my excitement.

So as I sat in the back of a van heading north-east with my best road trip buddies, I was positively bursting with excitement. We were on a mission to wipe our asses on the shiny red tracksuits and P.E. shorts of whistle-blowing swimming teachers and arrogant pool attendants throughout the land.

Music selection usually comes down to me, and for this journey I chose feverish Motown classics. When we hit the lonely windswept plateaus of the godforsaken North Moors, I took the wheel and calmed myself down by playing 'Suffer Little Children' by the Smiths on repeat until I was overwhelmed by bleak emotion and my passengers confiscated my iPod.

This fence is there for a reason: If it were wintertime we'd tumble 60ft down a slippery gorge and be tossed to our deaths by the raging currents below.




Our destination was a little-known plunge pool beneath a waterfall, and even if I wanted to reveal the location I remember few details other than to say we stayed on a campsite near the beach in Robin Hood's Bay, drove inland about 20 miles over desolate moors, walked woodland paths, trekked down a gorge and traipsed back along a river to get there.

Robin Hood's Bay is a quaint fishing village trapped in the past on the North East coast, near Whitby. It is popular with hikers, cyclists and goths, all of whom rub shoulders with the village's tiny population in The Bay's two old-man pubs. I've been to The Bay twice and each trip is another blog in itself really. It is possibly my favourite place in England, and not just because it has no cellphone reception.

Plunge Pool Overview: Descending the gorge we caught the waterfall in our sights but a sheer drop meant we had to go the long way round.

Getting to our makeshift swimming pool was a mission in itself. There was a public pathway through woodland, beside which a steep gorge dropped about 60ft to a waterfall with a river below. We hopped the fence from the path and scaled down to the river. Being late summer, the waterfall in the distance looked pretty tame and the river was shallow, but the immediate base of the waterfall promised a big drop where the water gets very deep very quickly.

This is known as a 'plunge pool' and is created over many winters when the river and waterfall are raging. The force of turbulent water and rocks dropping 60-odd feet onto the river bed erodes a deep end, sometimes nearly as deep as height of the waterfall itself.

Bounding along the dried-up river.

As we neared our wild swim Mecca, I found myself bounding ahead with enthusiasm. This surprised Dukes and Stef, both confirmed outdoor types who normally mock me for my aversion to water and my tender-footed approach to anything muddy.

Indeed, they revealed they'd invited me because I'm a sucker for road trips and camping, but had assumed I wouldn't bother with the swimming part. They told me they'd expected me to sit on a rock smoking cigarettes and doing my hair. I have to concede that nine times out of ten they'd probably be right.

Dukes, knee-deep in plunge.

We paddled in a dried up river ankle-deep until we reached the waterfall, then stripped off and swam in the small pool of water which fast became knee, then waist, then armpit, then head-high. I was first in the drink and found the tranquil, relatively contained bathing environment far more inviting than large bodies of water which, traditionally, try their hardest to scare and drown me.

Me and Dukes, up to our armpits in plunge.

It was a warm sunny day but the water was bloody freezing! It was painfully cold, the sharp riverbed stones cut our feet to ribbons, and we all felt a bit sick a few days later. Nevertheless, it was a gazillion times less boring than any heated, sterile, health-and-safety-regulated affair.

As we spent the next hour or so basking in the streams of sunlight, drinking beers, admiring the scenery and taking intermittent dips beneath the waterfall, the gorge echoed with shrieks and curses and laughter. Good times!

OK, so skinny dipping on acid with frustratingly pretty stoner chicks is probably amazing too. But I could happily settle for second best: simply being on an adventure with my mates, having good clean fun in the great outdoors.


PHOTOGRAPHY: by Stef Witton on vintage instant cameras using expired 35mm film.

SOUNDTRACK: Van Morrison – 'And It Stoned Me'; The Smiths – 'Suffer Little Children'.