Wednesday 22 February 2012

Suedehead – 'Small Town Hero' Music Video Premier.

International Soul Rebels: Suedehead. Photo by D. Bahn.

A new music video I directed for mod/ soul band Suedehead is exclusively premiered and reviewed by Google Music USA here

It's funny because we did the whole thing spontaneously, driven mostly by fun and nostalgia, just making a video for a doss like in the old days. It was shot on iPhone in a day, cast and crew comprised me and my mates mucking about, and all the titles are injokes. Then Google Music really liked it and wanted to hold it back for this exclusive feature. Oh well...

The review of our "stylish video" is generous but it hits the mark pretty well, particularly as my brother and I love to "revel in the blue collar concerns and wide-eyed romantic ideals of a bygone youth." 

Monday 9 January 2012

Desert Island Dress-Sense.

Desert Island Discs, while being fun, is a bit meh because it's been done to death. That's why I invented a game called Desert Island Dress-Sense, which I play in my imagination on a regular basis.

The premise is you have to take the clothes mentioned by a particular disc and wear them on a desert island. There's a special place in my heart for songs with good sartorial referencing anyway, but since it's a desert island, it's sometimes a good idea to pick the more outrageous lyrical get-ups that you wouldn't get away with in public. With that in mind, my current pick is 'Keeping The Faith' by Billy Joel:

"We wore Matador boots,
Only Flagg Bros had 'em with the Cuban heel;
Iridescent socks with the same-colour shirt
And a tight pair of chinos.
Oh, I put on my sharkskin jacket,
You know the kind with the velvet collar

And ditty-bop shades...
Oh yeah!"

Saturday 7 January 2012

A Lot Less.

VIDEO: Historics music video (Matt Hensley tribute) by Patrick O'Dell.

Since writing my post A Whole Lot Less about the rare and beautiful instances when Dr. Martens touch griptape, I've found this cover video directed by the fantastic Pat O'Dell. While it has fuck all to do with DMs, it's one giant reference to the tricks, spots and styles of classic H-Street videos and Matt Hensley, particularly his mid-tops, tube socks, cargo shorts and chainwallet shtick.

Best thing about it is the opening titles. You either get it or you don't. If ever I owned a speakeasy, I'd make people blow into the intercom with a lens cleaner to gain entry.

Young Observer Has Been Reporting on Street Fashions Again...

Vintage Young Observer cover. This is what my eyes see on occasions when I'm feeling old at ska gigs. (Via Fuckyeahskinheads).

I love it when Young Observer reports on street fashions.

Monday 2 January 2012

The Head And The Heart.

VIDEO: 'Backstage Pass: The Head And The Heart' by Black Rainbow for Spin Magazine. 

Here's a quick featurette Steve Bliss and I made for US music magazine, SPIN. It follows Sub Pop indie-folk band The Head And The Heart as they prepare for an unusual symphonic performance at London's Queen Elizabeth Hall.

Saturday 31 December 2011

Skate Fuckups.

As a responsible role-model, Corey Duffell teaches kids how to fall correctly.

Here's an article I wrote recently for Leisure Magazine about how professional skateboarders are the worst (and therefore best) role models a kid could wish for. It ran as part of their 'Heroes' Season:

Read the article here.
Or if the above link doesn't work, try here.

Friday 9 December 2011

A Mug's Game.

Many moons ago I worked for a newspaper chain. Myself and two colleagues with a similarly absurd sense of humour instated a G5 Power Mac (at the time a state of the art machine) for the sole purpose of keeping a record of all the drinking vessels in the department. The types of mugs you find in workplaces made us laugh. In the interests of irrelevancy, said document will now be archived in this repository.


Observer Graphics Production Department Mug Inventory:

• 3 tier navy blue mug • Abstract pattern x4 • "Albion - Loyal Supporter""Andrew" • Arçopal France (white with floral) • Aspro Holidays • Birmingham City "Blue Army" • Churchill (green speckle with white base) • Cleggy's Baggies (West Bromwich Albion) mug • Cow & butterfly design • "Crunchy Juicy Apples" • David Beckham • Debon Air • "England" • Excelsior (white with gold trim) • Floral design • Friends • Garfield (Libra) • "Groovy John""Have An Ice Christmas""Hot Stuff" • "I Could Learn to Hate Jane Fonda""I Feel a Right Tit" • Just Mugs (turquoise with flower) • Leicester City Official Supporters' Mug • Lexus - Pauline • "Liverpool - Champions of Europe" • Behemoth Metallica Rebel Skull ceramic Mug • Octagonal mug with ship scene • Pale green Accounts mugs x6 • Pink & yellow with red swirls • Pink conical mug with elevated base • Plain blue x2 • Plain green • Plain smoked glass mug • Plain yellow • Ransat - bone china floral x2 • Royal Norfolk (white with floral) • "Screw U" • Sheep & insects design • "Shibden Hall, Halifax""Shopaholic""Snail, My House, Dog" • Snap-On • Star Wars - Luke Skywalker • Steelite International (white) • Summer Fruits • Takeaway Cantonese • That bloke with his ballbag out • The Beatles • The Blues (Birmingham City) • Tigger • Kanti's "Tone Please!" mug • Wallace & Gromit - "Yummy!""Whirlpool - The Big Turn On" • White with raised food pattern • "Wolves & You" (Wolverhampton Wanderers) • ""

Wednesday 30 November 2011

Brooklyn/ BK/ Crooklyn/ Brook-Nam.

VIDEO: Manolo's Tapes: New York City via Already Been Done.

Following on from the last post, here's more New York footage from the time when the East Coast ran skateboarding. It's all here: perpetrators catching beat downs, slams into oncoming traffic, Sal flips in in Timberlands, late legends Harold Hunter & Keenan Milton, Lennie Kirk's awesome boardslide @01:48... all pulled from VHS and set to the most triumphantly relevant soundtrack imaginable. Enjoy.

Wednesday 23 November 2011

A Grudge Supreme.

'A Love Supreme' by Thomas Campbell, NYC, 1995 — Supreme Industry promo edit from 411VM #18 (1996). 

This charming three minute Supreme promo was the most captivating thing ever when it dropped in 1996, and in many ways it retains that allure now. It oozes Kids-era New York trillness, from a time when Zoo York, Alleged Gallery, Brooklyn Banks, Eastern Exposure 3, Grand Royal and X-Large ruled street culture.

I wasn't the only English kid to be seduced by this notion of New York. It was an environment we could all relate to – kinda like Birmingham, Manchester or London – only the streets were more raw, the buildings more grand, and the evenings enchanted by the mist of fire hydrant spray, the rumble of subway trains and the excitement of make-out sessions with cool girls that hung out at spots. (Cool girls that, for some reason, rarely chose to hang around multi-storey carparks, loading bays and ledges in the English Midlands).

My friends and I skated through suburban traffic in packs, És Sal 23s, shirts off and backpacks on both shoulders, not so much in imitation of the NY scene as young kids deluded we were part of it. People just didn't get where we were coming from. A couple of years earlier I remember going to the UK's oldest working arthouse cinema to suggest they screen a forthcoming film about New York skater kids by an unknown Tulsa photographer and a nascent cinematic auteur. I was laughed out of the building by people who should have known better. Eventually I persuaded a cinema in Chinatown to screen Kids but only myself and two friends showed up. Yeah, I was there etc. Sort of.

The downside to all this romance was that after waiting four years to finally make a pilgrimage to Supreme, I felt let down. I should have known that unless you're an active player in the local scenes they foster, skateshops are often pretty boring, seemingly elitist places. I was bummed on Supreme for making everything seem so awesome and then just being a shop instead of... I dunno... a magic portal directly into this video or something.

As unfair and irrational as it is, I still hold a grudge against Supreme. Not just because it fell short of my childish expectations, but because in my crestfallen state I went on to buy absolutely nothing. That's a whole lot of nothing I could now sell to people with a love Supreme at vastly inflated prices, or trade for the handful of Supreme items I genuinely would love to own. Don't worry, I do know I'm a dick.

Monday 17 October 2011


If I was rich I would invest in an exceptionally tall horse that I'd mount for the express purpose of shouting forth any self-righteous moral standpoints I might have. Note on my less opinionated days I would ensure the animal was well looked after, probably by 'horsey types'.

For the most dogmatic of occasions, I'd also purchase a hillside plot where I'd go to get on my high horse. The land would be known locally as 'the moral highground' and I would remain there until my point was made.

Saturday 8 October 2011

Skate Tough or Go Home.

California Spot Graffiti (Photo by C.R. Stecyk III).

Is it a terrible double standard that I find aggressive localism perfectly acceptable — even kinda cool — at skateparks, BMX trails, waves and gang spots, but utterly abhorrent anywhere else in life?

Monday 31 January 2011

A Whole Lot Less: The Sporadic Relationship Between Dr. Martens and Skateboarding.

Aesthetic perfection: Matt Hensley in Hokus Pokus (1989).

Some footwear is unquestionably affiliated with skateboarding. No conversation about skate shoes would be complete, for instance, without the mention of Vans. But for some otherwise iconic shoe manufacturers, like Dr. Martens, the link is so tenuous as to be almost non-existent.

Who would ever think of skating in Docs (or any 'sensible' shoe for that matter)? With their thick soles and heels they'd be downright impractical, surely? Well, yes, but that doesn't mean it hasn't been tried on occasion. And believe me these instances are so rare and beautiful they're the stylistic equivalent of Haley's Comet shooting past a solar eclipse during summer solstice at Stonehenge.

The Trailblazer: Bill Danforth. (Photo via Motor Punk).

While some skaters (most notably the Santa Cruz team) had already been pictured wearing Docs off the board, the first person I heard of actually skating in Dr. Martens was Alva gnarler Bill Danforth. I think this was less a deliberate decision and more a case that he was active in both the skate and skinhead scenes and his dress occasionally crossed over. Nevertheless I was super young and it struck me as utterly badass. So badass, in fact, that I covered one of my school textbooks in a poster of the 16-holed hero, and was promptly made to remove it because "he looks like a thug."

The Trendsetter: Matt Hensley, merch table hippie jump, Vans Warped Tour, 2000. (Photo by Larry Ransom).

The whole skating in Docs thing did not make total sense until I saw Matt Hensley's seminal video part in H-Street's Hokus Pokus. As the opening chords to Sub Society's 'A Whole Lot Less' droned out, Matt gave the concept of 'sensible footwear' the boot with a super styled, slow-motion bench lipslide in low top Dr. Martens 1461s (see screen shot at top of post).

Suddenly everything fell into place. Right before my eyes that whole Calvin Klein advert/ 90210 preppie look that was emerging at the time (but always seemed a bit too jock-ish for skaters) was legitimised. Never had stonewashed 501s, Bouncing Soles and griptape looked so good together. It was a victory for fashion over function.

Captivated by the aesthetic perfection, I rewound that intro many times over the years until the tape was chewed and the image imprinted on my brain in all its lo-fi, fisheyed, VHS glory. It was just one shot (Hensley was better known for the Chukka boots, stripey tube socks and shorts thing) but it's part of the reason my brother and I have frequently worn cuffed jeans, chainwallets, white socks and 1461s ever since.

Matt Hensley went on to become a skating and folk-punk legend, more on account of his talent than his footwear, but the Hokus Pokus style was a timeless look he still nods to today. When I had to fly home from a tour with Matt's band, Flogging Molly, having accidentally left my skateboard behind, it was shipped back to me bearing the words "Cheers Cree$e, thinking about you a whole lot less, Matt H," in reference to the lyrics from his classic video part.

VIDEO: Jason Lee (yes the actor) in A Visual Sound (1994).

Despite the overwhelming visual cue provided by Hensley in Hokus Pocus, the Dr. Martens and skateboarding association failed to develop beyond that solitary lipslide. On the basis of impracticality, the skateboarding community probably wrote it off as a joke (which, perhaps, it initially was).

Nevertheless, Hensley's spark must have ignited a flame somewhere, a flame that was patiently kindled by the likes of Jason Lee and Ethan Fowler, reaching a modest blaze upon the release of Stereo's A Visual Sound in 1994. This was a film that redefined the boundaries for lo-fi creative expression in skate videos.

VIDEO: Ethan Fowler in A Visual Sound (1994).

Nestled among its many artistic innovations were two sartorial skits clearly born of the Hensley skate-prep aesthetic, yet fleshed out to include a broader range of 'sensible' (dumb) shoes for skating in, Dickies slacks, cardigans, plain white Ts, sideburns, vintage bicycles, period architecture, SF streets and a swingin' beatnik informality to the skating. 

There was, of course, an element of ironic playfulness, but the skits were substantial, bold and confident enough to be taken seriously. There was some profound Art Direction going on: Chris Pastras, I'd imagine. While the embellished aesthetic didn't change skateboarding overnight, mid 90s skate fashion embraced a watered down, functionalist approximation: plain white Ts, cuffed blue denim, white socks and Simple shoes for the fresh; button-down shirts, jacked-up slacks, white socks and plain black low-tops for the hesh. Sadly, however, no Docs.

VIDEO: Man About Town Starring Kilian Martin, A/W 2010.

'Sensible' shoes, it would seem, have not touched griptape in recent years in any noteworthy fashion aside from the periodic creeper runs of veteran punkers in Thrasher ads. That is until this winter when Man About Town magazine dropped this stunning promo to support their 'Winter Sun' issue.

The resurrection of freestyle skateboarding with a 50s twist (courtesy of Kilian Martin) is a stroke of genius from Art Director Atelier Franck Durand. The nostalgic 2010 take on clean-cut preppie staples is the vision of Stylist Diane Boulenger, who adroitly selected Church Shannons (almost imperceptibly similar to DM 1461s) and 90s Vision Street Wear hi-tops. 

I'd put money on this promo being massively inspired by the historic cues noted in this post. Not that I'm implying they're biting the style, rather that they've done their homework and tastefully refined the fleeting, lo-fi skate-prep aesthetic via the high production values of the fashion world. Indeed, if you listen carefully beneath Ricky Nelson's dulcet crooning you can almost hear the distorted opening guitar stabs of 'A Whole Lot Less' drawing you back to where it all began.

SOUNDTRACK: Sub Society – 'A Whole Lot Less.'

UPDATE:  Also see this post for more on Matt Hensley and the H-Street era.

Matt Hensley, handstand. Image via Gary Warnett. I became aware of Gary's blog after he gave this post a glowing review and a number of referrals. He's a more committed blogger than I am, and he writes insightful and funny posts about all manner of good stuff from an 'industry' perspective. You should definitely check him out.

Tuesday 25 January 2011

Dumb & Dumber.

I can always rely on my brother to be more retarded with technology than me.

Tuesday 5 October 2010

Let’s Call a Spade a “Spa-de-de.”

Cosmopolitan Magazine Cover, September 2010 issue.
What kind of world do we live in when even Cosmo tiptoes around an everyday medical term and replaces it with a euphemism sounding like something from Teletubbies?! Did somebody forget Feminism actually happened?

Friday 10 September 2010

Nobody Beats The Biz.

VIDEO: 'B-B-B-B-B-Bennie and the Jets.' Biz Markie, The Chris Rock Show, 2000.

I’d love to see how hard all those dour, pedantically competitive, pencil-up-their-arse, professional karaoke pillocks would shit themselves with indignation if Biz Markie just rolled up drunk and bowled onto to the stage with this badboy!

Monday 7 June 2010

You're Not Punk, And I'm Telling Everyone...

Keeping up the fine accidental tradition of watching Against Me! for free — gratis ticket courtesy of Georgia.

"Looking for context and perspective,
looking for some kind of distraction.
White crosses on the church lawn,
I want to smash them all."
Against Me!, 'White Crosses.'

Went to see Against Me! again recently and, despite what the insular scene purists posit, they've still got it.

I've watched this band live easily thirty times: from in the pit, from the side of the stage and from across the venue while working and I firmly believe the passionate-but-realistic, confrontational-yet-danceable, operating-outside-of-the-anarchist-bubble, Sire Records, Butch Vig, fuller-sounding, anthemic rock incarnation of recent years is exactly where Against Me! should be.

I don't understand how the 'sell out' accusations carry weight when the lyrics are still as brave and impassioned as ever, yet more mature and literate to boot. Granted, I used to preach from that same hymnbook, but the whole business of whether or not a band has 'sold out' seems so tired now the music industry has changed and I'm not 17.

Wednesday 30 September 2009

Davey Warsop Unveils First Solo Track For Hurley.

VIDEO: Davey Warsop – 'Photograph' via

After flying back out to California on a wing and a prayer in June, my brother Davey has been busting a gut at Hurley Clothing working as a model, presenter and studio engineer. His perseverance seems to be paying off and he has just unveiled the first video from a solo project he's been working on in his spare time.

The featured song, 'Photograph,' has a late 70s power-pop vibe similar to Beat Union, although I know he plans to delve deeper into a 60s Atlantic Soul & Motown sound in future.

A nice little interview about Dave's background and his attempts to carve out a permanent life in USA can be found here.

Tuesday 1 September 2009

If Altamont Wasn't Crazy Enough For You...

VIDEO: ‘I Pity the Poor Immigrant.’ Bob Dylan & Joan Baez, Colorado, USA, 1976.
Via (ignore advert at start).

The Guinness Book of Records entry for Most Bonkers Live Music Performance Ever is held by folk-rock royals Bob Dylan and Joan Baez for this demented spectacle from their Rolling Thunder Revue tour of 1975-76.

Here we see Dylan, Baez and their ragtag cohorts basically raid the dressing-up cupboard and stage a freewheelin’ bohemian shindig at what appears to be a small church fête.

The reveal comes during the solo while Baez is lost in an acid-dipped maracas dance. The camera pans round and — Oh snap! — they’ve only got THE ENTIRE FUCKING GLOBAL COUNTERCULTURE OF THE 60s AND 70s at the carnival too!

A spokesperson for Guinness advised the record has inevitably been contested by a number of subsequent performance-heavy glam rock acts, but has to-date remained unsmashed for the following reasons:
  • Captivating vocal harmonies and sexual chemistry between singers. 
  • A dangerous bricolage of ethnic, gypsy and piratical artefacts arranged to achieve effortless cool in a manner normally only possible at gas stations on road trips.
  • Dylan’s deft recovery following his poorly-judged “Ha ha!” ad-lib @03:05; a cringeworthy show-spoiler known in the trade as a ‘Does Anybody Remember Laughter? Moment.’
  • The overall who would you fuck first? conundrum, not to mention the what would the children be like? factor.